Madam Me 3. You've Got So Far to Go 4. Fuck You Aurora 5. Sleepyhead 6. I'll Catch Fire 7. Tuck Me in 8. She Took Him to the Lake 9. Radio Total playing time Compilation, 18 Abril , Asian Man Records. I Lied My Face Off 5. My Friend Peter 6. Snake Oil Tanker 7. Southern Rock 8. Cooking Wine 9. For Your Lungs Only Exploding Boy Sun Dials Nose Over Tail Single, , B-Unique Records. Private Eye original 3. Stupid Kid video. EP, 13 Marzo , Lookout Records. Hell Yes 3. My Standard Break from Life 2.
Album, 03 Abril , Vagrant Records. Private Eye 2. Chainsaw 3. Take Lots with Alcohol 4. Stupid Kid 5. Another Innocent Girl 6. Steamer Trunk 7. You're Dead 8. Armageddon 9. I'm Dying Tomorrow Bloodied Up Trucks and Trains Crawl Bonustracks My Standard Break from Life Hell Yes Total playing time Stupid Kid 2. Trucks and Trains 3. Split, 22 Enero , Jade Tree. Queen of Pain 2. While You're Waiting 3. God Deciding 5. Russian Roulette 6. Radio Alkaline Trio Cover 7.
Bleeder Alkaline Trio Cover Total playing time Video, , Kung Fu Records. Hell Yes 2. Madame Me 3. Maybe I'll Catch Fire 4. Chainsaw 5. Take Lots With Alcohol 6. Cringe 7. Tuck Me In 8. I Lied My Face Off 9. Armegedon Another Innocent Girl Queen Of Pain Goodbye Forever Private Eye Crawl Radio Single, , Vagrant Records.
We've Had Enough 2. One Hundred Stories demo 3. Blue In The Face demo 4. We've Had Enough video. Album, 13 Mayo , Vagrant Records. This Could Be Love 2. We've Had Enough 3. One Hundred Stories 4. Continental 5. All on Black 6. Emma 7. Fatally Yours 8. Every Thug Needs a Lady 9. Blue Carolina Donner Party All Night If We Never Go Inside Dead End Road Old School Reasons Total playing time Fine Without You 2.
Critical reaction to the album was mixed. Ari Wiznitzer of Allmusic called it a slump for the band and "a definite low point in Alkaline Trio's catalog," criticizing its "lighter, more mainstream sound," which "really doesn't complement Matt Skiba and Dan Andriano's foul-mouthed poetry as well as their earlier abrasive sound.
Adding to the disappointment is that this is the first Alkaline Trio release to have any filler, as many of the songs seem painfully tossed off and probably were, as the band has been so prolific. It's not challenging, ambitious, or visionary. It's not clever or self-aware. It's not even terribly skillful. But what it is, is tasty. Pure musical junk food: fast, greasy, and crafted for a general palate.
Chainsaw" ] for the listener. Good Mourning Released: May 13, Length: Label: Vagrant. This Could Be Love 2. We've Had Enough 3. One Hundred Stories 4. Continental 5. All on Black 6. Emma 7. Fatally Yours 8. Every Thug Needs a Lady 9. Blue Carolina Donner Party All Night Skiba describes the album as sounding "bigger, deeper and rawer" than its predecessor, From Here to Infirmary. The album debuted at number 20 on the Billboard , selling 40, copies on it's first week of release.
In a interview, Matt Skiba stated that Good Mourning :. I mean it took us a long time to do and I think most of the people that I talk to that make records and stuff, there's always stuff that you wish you did better or maybe a little differently.
I've never been able to avoid that, even with this. There's things that I wish I had done maybe a little differently. But that also comes with just listening to it and living with it for so long that until it's done you won't really hear things in that way until it's like too late I guess.
But I would say for the most part that I'm really happy with it. Label: Vagrant 1. Time to Waste 2. The Poison Burn Mercy Me Dethbed Settle for Satin Sadie Fall Victim I Was a Prayer Crimson is the fifth album by Alkaline Trio, released May 23, The record is produced by Jerry Finn. A 'Deluxe Edition' was released on November 28, The first disc contains the original album, while the added second disc features the album as demos, home demos and acoustic songs.
It is presented in a color slipcase based on original artwork. Bassist Dan Andriano notes that:. We just spent a little more time in all areas of the recording process. We spent a little more time in pre-production, where we worked on the songs with Jerry. Before we started recording, he came out to Chicago and [came to practices] and he was listening to the songs, and we had an opportunity to ask him what he thought.
It kind of gave us more time to re-work some stuff that we thought could have been a little better but were a little stumped on, as Jerry had good ideas for the songs.
And as far as the actual recording, it was great working with him. It was more like working with a friend. We've known Jerry for a long time, and he's really easy to work with and be around for 12 hours a day. He's got an amazing gear collection. Any kind of guitar you want to use for a song or any kind of amplifier, he probably has it—and he probably has one of the nicest one's of that model. To me, recording was like being in a playground.
It's just like, "Let me play this one. Let me try this. A tentative title for the album was Church and Destroy. The quotation near the end of the song is a quote from Susan's testimony which is spoken by Heather Hannoura, the band's merchandise and artwork creator. The song "Prevent this Tragedy" refers to the West Memphis Three, whose trial and conviction for the murder of three children in was widely publicized and is still considered controversial.
Skiba on "Sadie":. That song was actually the first song that we wrote for Crimson. We were still touring on our previous record and I wrote it just on tour. But we knew even then that we were probably wanting to re-record it and putting it on an album, which it was on Crimson later. So yeah, I think that came from knowing that we were starting to write a new record and wanting to take a different approach.
So yeah, I think it was just a fresh start and it just had a different kind of feel and sort of set the tone for Crimson , not that there is other songs like it on the record.
Andriano on "Smoke":. It's the last song on the record. I actually wrote that song like two years ago. I knew I liked certain aspects of the song, and those were basically the aspects of the song that made it to the final version. For the two years before we recorded it, I had been kind of toiling over this.
It was kind of the bane of my writing existence. It scared me, because I knew I liked parts of it but was really unhappy with other parts. I couldn't make the vibe work. There was a time when that song was really soft, actually. I tried to make it like a loud, mid-tempo rock number, but nothing really worked. That was one that we spent a lot of time on actually, making that groove that we wanted that's there now, almost a ballad [like] kind of song.
It gave us a lot of time to think about cool effects, effects we could use on the chorus and string parts that are in the song.
According to Matt Skiba, the band were:. And Monica was there doing our styling; she got a bunch of outfits and she did the styling for pretty much all the new pictures for the record. She was there and the photographer was just doing all these different things and he had her stand in. He was toying with these different ideas with just a small portion of her face in the picture and then, lo and behold, she's our cover star.
So we thought it looked cool and the people at the art department are in cahoots with the photographer who is amazing. Once it was coming together, it was like film noir. Label: Epic U. Calling All Skeletons Help Me In Vein Over and Out I FoundAway Do You Wanna Know?
Live Young, Die Fast Love Love, Kiss Kiss Lost and Rendered Bonus Tracks. Deluxe Edition Bonus Disc. Burned Is the House Maybe I'll Catch Fire Acoustic
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